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SEE Stephen Chbosky (‘Wonder’ director and co-writer) chats finding ‘that picture that’s worth a thousand words’ īurgess received an Oscar nomination for Robert Zemeckis‘ Best Picture winner “Forrest Gump” (1994).

So they feel more isolated from the people and things around them.” To chart Auggie’s progression from outsider to insider, “you can let the lenses get progressively wider, increase your depth of field, warm up the color temperatures, and give more of a connectivity to the subject and the environment.” There’s a lot there to work with.” To convey that sense of loneliness, “I’ll tend to start with longer focal length lenses, and a shallower depth of field, and perhaps cooler light color temperatures, to put this character into the environment, but not totally connect him to the environment. “For me, when I read a script, sometimes how to shoot it comes right to me,” Burgess divulges, and that was the case with “Wonder.” Part of that came from his empathy with “the character itself, and how the character felt so isolated at the beginning and then connects with society. SEE Jacob Tremblay (‘Wonder’): His character Auggie is ‘very smart, very kind, very funny’ and has ‘a big adventure in middle school’

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